Ellen Bernhard

Books

• Contemporary Punk Rock Communities: Scenes of Inclusion and Dedication. Lanham, Maryland: Lexington Books.

Publications

• Conspicuous co-optation: Exploring the subculture and pop culture connection at Gainesville’s Fest, Punk & Post Punk, 12(3), 303-325.
• “Milo goes to college, Ellen goes to grad school: The series of events that turned an afterschool hobby into a hardcore pursuit of punk rock,” Hardcore Research: Punk, Practice, Politics

• Bad Religion and the Burlesque: Framing Extremist Rhetoric in “The Kids are Alt-Right,” Rock Music Studies, 10(1).
• Book Review: Punk Gender and Ageing: Just Typical Girls? Punk & Post-Punk, 11(1), 119-121.

• Book Review: Do What You Want: The Story of Bad Religion, Punk & Post-Punk, 10(2), 320-323.

• Book Review: Because Internet: Understanding the New Rules of Language, Explorations in Media Ecology, 19(2), 225-228.
• Book Review: What We Talk About When We Talk About Books: The History and Future of Reading, Explorations in Media Ecology, 19(1), 113-115.
• “I thought it was a very punk rock thing to say”: NOFX’s (sort-of) public apology and (in)civility in defining contemporary punk rock in online spaces, Punk & Post-Punk, 9(1), 7-22.

• Conference Review: Curating Resistance: Punk as Archival Method, February 9-10, University of California, Los Angeles, Punk & Post-Punk, 7(2), 291-300.
• “It feels like summer in October”: A study of Gainesville’s Fest, Punk & Post-Punk, 7(2), 235-247.

• McClain, J.M., & Bernhard, E.M. “Against the Grain”: How music journalism frames Bad Religion as unconventional, Rock Music Studies, 3(3), 300-312.

• “Roundtable Discussion: Green Day’s American Idiot,” Anne Cecil (Ed.). The Mid Atlantic Almanack: The Journal of the Mid-Atlantic Popular & American Culture Association, 163-169.